Monday, July 20, 2026

Banned in Manhattan – The Sisters of Book Row: A Novel by Shelley Noble

The Sisters of Book Row addressed the issues of censorship and repression that arose from the infamous Comstock Laws that banned materials that could be deemed "pornographic" or dealt with topics such as birth control, prenatal care, abortion, and the sex trade. These laws stated that even art books showing nudes by artists such as Michelangelo fell into the pornography bucket. These laws originated in the 1870s, and weren't fully struck down until the 1970s. 

Speaking publicly about birth control, disseminating information about it, or printing and mailing such materials was illegal. Instructing women on how to manage their pregnancies was strictly prohibited. The famous birth control advocate Margaret Sanger was hunted down like a murderer. She later founded Planned Parenthood. 

In 1915, the Applebaum sisters of the title operated a used and rare books store on what was once Book Row (Fourth Avenue in Manhattan, which becomes Park Avenue South above Union Square). They had inherited the store from their father, who had dealt in antiquarian books and trained the oldest daughter, Olivia, in bidding for and purchasing books at auction and from private collections, restoring and rebinding them, and working with clients. The other two sisters, Daphne and Celia, worked on the retail side of the business.

Olivia was also struggling with cataracts which would ultimately lead to blindness, since safe and successful surgery was not yet available. She had left a position in rare books at the Metropolitan Museum (and a man she'd fallen in love with) to run the store and care for her younger sisters once their father died.

Daphne was a romantic who found working in the store to be a life of drudgery and lost herself in reading escapist novels, and hoped that a handsome customer would come into the store and rescue her. 

Celia was a secret activist for birth control and worked with a group who were trying to help women take control of their bodies and prevent unwanted pregnancies. She had watched her mother become pregnant and lose the baby over and over, until she became so weakened that it eventually killed her. Celia resented her late father and blamed him since his desire was for a son to succeed him in the store. When that didn't happen, he sent Olivia to college to take on the role, but when she chose to work at the Met, he was bitterly angry with her.

The Applebaums and the other bookstore owners and related businesses were in constant fear of raids from Anthony Comstock, the originator of the pornography laws, and his minions. His thugs would come into a store, trash its stock, whether objectionable or not, damage or destroy its fixtures, and arrest the owners and workers. The store owners were banded together in defiance, but it was not enough to stop the raids.

The book explores the efforts to change the restrictive and clearly absurd nature of the laws, and put an end to the fanaticism, which eventually was overcome, but not without great suffering not just in the book trade, but by women and their families everywhere. 

Over a century later, many Americans are unaware that these restrictions existed. The same politicians who supported the Comstock Laws generally supported the changes to immigration law that would effectively close the door to most Southern and Eastern Europeans, and non-Christians, with the Emergency Quota Act of 1921. Asians were already suffering under the 1917 Asiatic Barred Zone Act which had completely shut them out. These actions are eerily similar to what some political factions are promoting now against certain nationalities. The evils of nativism and censorship continue to haunt us now, in the form of ICE, and actions against the free press. The circumstances described in The Sisters of Book Row may seem shocking, even unbelievable, to us but they serve as a warning against what we currently face.

Wednesday, July 1, 2026

A Family Examined – This Is Not about Us, by Allegra Goodman

I had quite a wait for this novel – I think there were about 150 people ahead of me on the library's hold list. I'm happy to say it was worth it.Allegra Goodman does not disappoint, whether she is writing about the generations of a Jewish family, as in this book, or in Isola, about a 16th century French noblewoman who is abandoned and stranded on an island in St. Lawrence River in Canada but lives to tell the tale. That shows the diversity of her talent.

The Rubensteins are a close family, but when Jeanne, the youngest of three sisters in their seventies, dies of lung cancer, a petty argument between the remaining sisters Sylvia and Helen over apple cake develops into a long-standing feud between them, and creates awkwardness among the other family members.

That is a kick-off into an examination of the relationships between parents and children, husbands and wives (and that of the family's lesbian granddaughter/niece/cousin and her wife), younger siblings, and cousins. We meet them all in this story: Sylvia's son Richard whose wife Debra is divorcing him, their concerns about their two daughters, and the subsequent developments that impact them; Helen's older daughter Pam and her personal difficulties; Helen's younger daughter Wendy and her protective, loving wife Jill; and, Jeanne's sons Steve and Dan, their marriages to Andrea and Melanie, and their kids, Zach and Nate, and Phoebe.

As in every family, there are conflicts and disappointments, joyful occasions and celebrations. Goodman paints a complex portrait of a Jewish family that many readers will relate to, no matter what their ethnicity or religion.

The writing is beautiful, just descriptive enough to provide context, and cuts straight to describing the emotions felt by the family members as they cope with their individual challenges and find their places in a changing world. For Helen and Sylvia, who towards the end of the book, are now approaching or just past 80, it's also a look back while they continue to move forward.

I was glad to read about multiple characters who are at later points in life, the sisters at 80-something, their children in their 40s and 50s, but also the grandchildren finding their ways through adolescence and young adulthood. It was a multi-faceted portrait, but age and experience, while respected, were not shown to be infallible. A good story, all around.