Every day I receive a list of bargain e-books from Book Bub. Most are low-priced, and occasionally there's even a freebie. If I find a free book of interest available on Prime, I add it to my Kindle/iPad. I also get others from Edelweiss and other sources. Between those, and the ones on my shelves and in several full shopping bags, I don't think I'll ever have the time to read them all – especially since I keep finding new and enticing titles at the library. It's a dilemma that my book loving friends will understand.
Ceremony of the Innocent (the correct title) was one of those Book Bub books, and I read a little of it on its Prime page, and initially intrigued, I requested it from my library. I was somewhat shocked when I received it but I wanted to give it a chance: The cover art and copy of this mass market paperback version is lurid and repulsive, but so indicative of the 70s, when it was first published. Refusing to be put off, I decided to delve further into it.
I was drawn at first into the sad story of the impoverished young Ellen Porter and her Aunt May, who raised her. The time is roughly the 1890s, and they live in a small Pennsylvania town, somewhere in the northeastern area of the state. Ellen is a tall, beautiful redheaded girl who looks older and more mature than her thirteen years; May is a seamstress who also works as a maid to try to make ends meet, she is probably barely forty but poverty has aged and broken her. Seeing no alternative, she forces Ellen to end her education and persuades her client and employer, the mayor's wife, to take Ellen on as a maid in training, saying she is already fourteen, though with her height and mature looks, Ellen might pass for fifteen or sixteen.
The small town constantly gossips about Ellen and May. Some say she is May's illegitimate daughter, that with her flaming hair and mature body, she must be sexually active – a harlot. Of course she is none of that, and is rather just a poor disadvantaged girl who looks different from the pale blondes who are considered the town beauties. There seems to be no future for her other than a life of struggle and servitude.
One day, though, she meets Jeremy, the handsome, well-educated and successful son of her employers. She is overwhelmed, as is he. Their brief encounter will stay with both of them until they meet again, and he sweeps her off and marries her.
From this point forward, the book becomes a strange stew of their continued love story, politics, religion, and commentary on the America of the early decades of the twentieth century. I found the policies she eventually ascribed to Jeremy, who had been elected to Congress, and who had originally seemed so kind and passionate, to be distasteful and hateful, to say the least. She portrayed many of the leading progressive political figures of the time with a peculiar, distorted view, bordering on what felt like an underlying paranoia, or at the very least, a deep hate for working and middle class Americans, immigrants, and others. At the same time, she seemed to warn against excesses of greed, power and capitalism, while supporting both communism and fascism almost simultaneously.
All in all, in retrospect, the entire novel becomes as lurid and offensive as this edition's cover. Her prose is dense, melodramatic, and wandering, but I kept reading in the hope that somehow Ellen would overcome her struggles – let's just say she didn't. I can only wonder how this book became the "national bestseller" touted on the cover.
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